At the U.S. Airforce Academy: Lines and Lights

Spires: f/4, 1/1250, iso 100, 24mm

Chapel Inside 1: f/2.8, 1/40, iso 800, 16mm 

Chapel with tourists (grumble): f/2.8, 1/40, iso 800, 16mm 

This place was a good practice in photographing architecture. Notice all the lines, and how geometric this whole building looks. It was a challenge to find an interesting angle.

I thought this building looked pretty cool from the outside and spent over half an hour trying this and that angle. The one I posted is my favorite. In a perfect world, there would be a jet flying by. It was again freezing, so I went inside. Holy Cow. I had no idea that it would so marvelous like this. Among all the numerous historic churches I've visited, this place is definitely the most interesting. Don't the lights look like a bar or club??

In fact, all the building at the academy looked very austere like this. The light in the chapel was amazing and it the colors changed constantly as the light moved. I was in this sanctuary for a couple hours, because Norman was meeting his publisher in Colorado Springs. This would be a cool place to try time lapse. I even talked a little with the manager guy, who was super nice and let me inside the roped areas of the church.

This building houses four religions. The protestant chapel occupies most of the structure. I thought it was funny that the Academy put the rest of the "miscellaneous" religions ( Buddhism, Judaism, Catholic, and generic worship area) in the basement.

Notice also the use of the f/2.8 wide angle lens!! I couldn't have got any of the interior shots with my f/4 lens. It was just perfect for this place!

I was sure this place was shot to death by many. I tried to put a little bit of my own spin on it.

Sadly, I didn't encounter any hot cadets.

Anyways, Norman and I are back on the flat now. I was sad to return to the brownery.

Amy's best CO pics (so far)

toy  village of Silverton, CO: f/16, 1/40, 55mm (applied miniature effect in canon 60d), iso 100

Opposite Ralph Lauren's Ranch near Telluride: f/18, 1/100,  11-16@ 16mm, iso 100

Aspen woods near Telluride: f/13, 1/100., 11-16@16, iso 100

 I haven't been bloggin this week because it felt like too much work during vacation.  Today, Norman and I are in Denver taking it a bit easy. Here are my favorite pictures from the trip so far. Actually, there are a couple more favorites. hehe.
I took the top picture in Silverton nestled deep in the mountains. It's a summer town, I learned, so most of the town was hibernating. The town looked like mr. Rodger's neighborhood. I tried applying the miniature effect from my camera to enhance the toy feeling. Sort of cute. Me thinks.
The second picture is from a famous scenic spot in the Telluride area. The B&B owner guy said that it's opposite Ralph Lauren's ranch and in the fall photographers  are all over the road with their tripods to get pictures there. I used my wide angle ( rental ) lens for this shot. This is really nothing compared to the real vista; in real life, the mountains look a lot more closer and go around almost 360 degree!! It was truly breathtaking.
Aspen woods was also near Ralph's ranch. I also used a wide angle lens for this. These trees are so beautiful.
The scenery here is so wonderful. I love traveling America.

Rocky Road

little guy: f/4.5, 1/60, 105mm

road to Durango: f/16, 1/160, 105mm

So, Norman and I are in Colorado!!! I must say, this is the all American experience!

It started off somewhat roughly. In Santa Rosa, NM Norman discovered that the tire had a nail in it and was slowly leaking. Thank god, we found a tire shop open on Sunday. The little guy in the first picture
came out and checked out me and my camera very inquisitively. His daddy worked at the shop. Every time I pointed the camera toward him, he would run to his daddy and then soon after turn his head toward me and check me out again.

We stayed at a place called Walsenburg last night and for the love of god I could not get my photoshop to work. Highly frustrating.  Today we were on highway 160 all day long, visited Great Sand Dune National Park, and settled in Durango. On the way, I dropped my rental polarizer filter(big sigh) and scratched it real good. MEGA SIGH.

Durango seems to be a grungy little ski town. Pretty cool, I must say.
Miraculously, photoshop is working here. I think it only works in select geographic locations.

I rented a super wide 11-16mm Tonika lens and polarizer from a website called LensProToGo.
So far, all my wide angle shots suck. Hope to improve more during this trip.

Yoga with Orada!

Spring Yoga: f/8, 1/320, iso100, 24-105 @82 mm

amazing bending: f/4, 1/60, iso 200, 24-105 @32 mm

amazing bending: f/6.3, 1/125, iso 100, 24-105 @32 mm

7 hours and over 400 snaps.
Orada and I had a lot of fun today and worked real hard. I'm getting more and more pleased with my ability to control exposure, and since my last outdoor shoot with Brooke, I figured out how to make the camera focus exactly where I want it to.  Composition was very difficult with this yoga shoot, because of all the unusual poses.
All these pictures were taken at St. John's UMC. They kindly let us use the church garden room. The first picture is probably my favorite of 'em all. I think I have better pictures than the second one, but I posted this one to show you what Orada can do. Amazing.
Norman and I head to Colorado for spring break tomorrow. Hope to get some interesting pix again.

New light stands and the money

The doorbell rang around 5:00 pm and I knew it was the UPS guy!
My load of stuff came from B&H today. For my friends who aren't familiar with B&H, it's like
the Amazon.com for cameras. They have everything. They have a gigantic store in NYC too.
That's like the Disney World for photographers.
Amongst all the things, probably my most anticipated item were the 3 Manfrotto light stands and Wescott reflector arm. I got the less cheaper ones, and they are so sturdy it's making me wonder if it was over kill. Mounted on the light stand is my LED mini light panel.
To be honest, I feel a bit intimidated by my own gear as I yet have figured out how to use the reflector arm (seems like I need to get some clamps). However, I truly anticipate these tools to help me expand my creative horizon. Next, I'm planning to get some strobes.
When I first thought about doing video a couple years ago, it came to my attention that I would need at least ten grand to get the bare minimum of equiptment. No way, I thought. And it made me very sad. So, I started looking for jobs that could pay. A couple years that include several unsatisfying jobs and lots of counseling, I am finding myself acquiring close to ten grand worth of gear which is really the bare minimum. My ten grand is coming from years of savings, years of tax returns, and some unemployment benefits that I'm getting from working on True Grit. Very little credit card debt.

If there is someone out there who is also thinking "no way" just because of money, I think I can tell you there is a way. It may not be immediate, but a way seemed to exist for me.

The Eye and I: Prepping my next project: Yoga with Orada

The Eye and I: Prepping my next project: Yoga with Orada: "Norm on Hill (Matador): f/4.5 , 1/125, iso 160, 24mm round hay things = bales: f/16, 1/200, iso 125 research for our yoga shoot..."

Prepping my next project: Yoga with Orada

Norm on Hill (Matador): f/4.5 , 1/125, iso 160, 24mm

round hay things = bales: f/16, 1/200, iso 125

research for our yoga shoot: beautiful Thai yoga poses

My Thai friend / yogi Orada sent me information about a photo competition in Yoga Journal.
We're going to try some shoots this weekend. So, I've been trying to do some research on how to go about doing this. Orada sent me some pictures from her Thai yoga book which I think are beautiful.
The biggest challenge is the location. We don't have time to go out far, so it will have to be some place in Lubbock that's not brown, or just completely make peace with the fact that everything is brown around here this time. 
There's Norman on one of the strange hills in Matador. We took this one at sunset. You can see some of the burn. That's really nothing. Don't know how those hills became. That area used to have a fence around it, but it was all burned so we just walked up the hill. It was freezing.
The hay bales are also from Matador. I always  wanted to take a picture of one of those. On this one,  I practiced how to use a small aperture on this one so I could get lots of depth.